Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colours of each man comes to the surface

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

In the 28th century, Valerian and Laureline are special operatives charged with keeping order throughout the human territories. On assignment from the Minister of Defense, the two undertake a mission to Alpha, an ever-expanding metropolis where species from across the universe have converged over centuries to share knowledge, intelligence, and cultures. At the center of Alpha is a mysterious dark force which threatens the peaceful existence of the City of a Thousand Planets, and Valerian and Laureline must race to identify the menace and safeguard not just Alpha, but the future of the universe.

An unfinished game of Chess of Death from five hundred years ago was said to hold the clue to a buried treasure and Lin Shuang Sword was the key to the game. Anyone who could finish this game would obtain enough wealth to take over the world. Five hundred years later, Ren Qian Xin was ordered to find Lin Shuang Sword. Ren was madly in love with Liu Yi Yi. But the woman's heart was on his honorary brother, Yan Cang Feng. The despaired Ren challenged Yan to the Chess of Death.

Hairy and rowdy creatures called rolleys sail to a land inhabited by more peace-loving elves. When the rolleys arrive to the elf village, they scare the elves away and settle down in the village. One of the elves, Milli, a brave elf girl, returns to the village to make a peace with the rolleys. The rolleys do not warm to Milli's peace proposal, but she becomes friends with a rolley called Rölli. It becomes their mission to solve the conflict between the elves and the rolleys.

Hairy and rowdy creatures called rolleys sail to a land inhabited by more peace-loving elves. When the rolleys arrive to the elf village, they scare the elves away and settle down in the village. One of the elves, Milli, a brave elf girl, returns to the village to make a peace with the rolleys. The rolleys do not warm to Milli's peace proposal, but she becomes friends with a rolley called Rölli. It becomes their mission to solve the conflict between the elves and the rolleys.

The balance of nature is in danger and only Clara and her friend have the heart to solve the secret of the bears and to break a centuries-old spell.

12-year-old Sira lives in a hidden home in Barcelona's urban park. After finding an enchanted necklace, she discovers a magical realm mirroring her emotions and must balance both worlds to restore harmony.

Jam Master Jay大家应该都知道，RUN-DMC的成员、传奇DJ/制作人。 　　02年Jam Master Jay在纽约皇后区的录音室被枪杀，他的遇害震惊了整个HIPHOP音乐界。Jam Master Jay遇害时年仅37岁，原名Jason Mizell。据他的邻居反映，Jam Master Jay是一个非常随和的人，并且热衷为社区的服务。在当时HIPHOP音乐表现越来越强烈的暴力倾向的时候，他却始终坚持制作格调健康的音乐。 　　当年，这一神秘谋杀事件的监控录像带失踪，同时五位证人都不合作，均保持沉默。 　　这部电影通过对50 Cent, Ja Rule, Russell Simmons, RUN-DMC, LL Cool J, The Game等人的访问，以及其他视角洞察了Jam Master Jay的生平，甚至，影片中某些信息可能还有助于警方侦破这一震惊音乐界的谋杀案！(BY badjian一黑到底） 　　下载见上面信息里面的“官网”。